Once upon a time, they used to upsample as they came from the disk, and ran into performance AND sonic issues-so, it's not a bad thing htat they do their work internally, then match only the output to the project rate. However many outputs you enable-but, only on the output will they convert-be that down in the case of 48khz VIs in a 44.1 project.or up to nearly all VIs in a 88.2/96khz project. General sample based VI tech: Nearly any modern virtual instrument will do a single sample rate conversion on it's output to the destination project rate. Massenberg ensured that you get everything up to 22khz as linearly as possible from his original samples via offline SRC. SD3 tech: These samples were done at double rate.provided here at single. Many plug ins (Like tape sims in particular) upsample, process, downsample if you have the project set to single rate. Starting with the contributing factors.īackground tech: One of the advantages to double sample rate is that anything analog modeled will be ue to the thing it's modeling. The above is how I will proceed, and the reasons.
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